There was a famous manifesto by Rossolimo in
Chess Review about 40 years ago (September 1969).
TODAY'S STYLE IN CHESS
Nicolas Rossolimo, Inactive Grandmaster of the U.S.
Remembering the fantastic combinations of Paul Morphy and the ever-green games Kieseritzky, Steinitz, Lasker, Capablanca, Alekhine, and other brilliant exponents of the past, we must ask what has happened to the champions of our time?
Do they play better or more effectively?---certainly not more brilliantly!
In answer to these questions, the role of the FIDE must be considered. Today, it is most important to have "points." It does not matter how obtained, you have to have wins at any price. You have to defend your norm of grandmaster; otherwise the FIDE classifies you as inactive. You must obtain 55% against grandmasters and 75% against international masters to remain as an active grandmaster. For to be classified inactive is to be entered in a vicious cycle: not to be invited to strong tournaments, because you are inactive and to remain inactive because you can't play because uninvited.
So, today, you have to worry about getting points. Points, point, and points; this is the most important! Brilliancies, beautiful combinations, queen sacrifices have become ridiculous. These are not for real grandmasters, and even dangerous, say the grandmasters of "today's style."
There is the answer to those questions.
How can you defeat an opponent who has talent, technic and knowledge equal to your own? Only by plodding until you have exhausted him. This is "today's style," a matter of exhausting the opponent. You have to have the ability to create a position in which your opponent cannot simplify and exchange pieces. Once you have such a position, you start maneuvering; you go forward, you go right, you go left, you retreat, you go all around and then you start again, and again, till your opponent becomes completely exhausted and commits a blunder, gets in time trouble or simply collapses. To play in "today's style," you must have excellent physical condition.
What can be done to save the art of chess from this terrible "today's style"? Who is going to help us fight to limit this monstrous situation?
The FIDE? Unfortunately, it is this organization which established the rules of the norm and requires you to retain your active title. So objections only excite the FIDE; and, in reply, it urges you to adopt "today's style."
We need to create a new organization to protect and encourage the art of chess!
For a start, we should organize a tournament with referees drawn from champion-artists themselves. These referees will award points for each game, won, drawn or even lost. For example, each game will confer ten points for the two players combined; and the loser could get seven, the winner three---if the referees find that the loser played more beautifully than the winner!
In my own short career, I succeeded in winning twelve brilliancy prizes with Queen sacrifices or announced mates in up to ten moves with as many as three pieces sacrificed. But, when I wished to have of those games printed, I was told: "Nobody is interested in you games. You did not score enough points in your recent tournaments." So what am I supposed to do? Trade in my romantic combinative style for "today's style" and become a hunter of points at any price?
No, I will not do so. I will fight for the art of chess. I will not become a monster!
Let us as a first step,
organize a tournament with the new rules, the rules of the art of chess.
[Well, given that Tal was a champion in the era to which he refers, I not sure that "certainly not more brilliantly!" can really apply. Maybe he was just annoyed at Botvinnik and Petrosian.
] [Incidentally, by enumerating GMs not in the tournament, I think it was Rossolimo who was the commentator for the game R.Byrne-Fischer in the 1963/64 Champ (Black is a piece down and can resign) --- seems more likely to be him than Lombardy].